Origins of Cuban Music and Dance Changüà 1st Edition – PDF/EPUB Version Downloadable
$49.99
Author(s): Benjamin Lapidus
Publisher: Scarecrow Press
ISBN: 9780810862043
Edition: 1st Edition
Origins of Cuban Music and Dance: Changüà is the first in-depth study of changüÃ, a style of music and dance in Guantánamo, Cuba. Changüà is analogous to blues in the United States and is a crucible of Cuban Creole culture. Benjamin Lapidus describes changüà and its relationship to the roots of son, Cuba’s national genre and the style of music that contributed to the development of salsa, in Eastern Cuba. He also highlights the connections between Afro-Haitian music and Cuban popular music through changüÃ, connections with the Caribbean that have been largely overlooked in the past. After an initial historical discussion about the region of Guantánamo and the inter-connectedness of its various musical styles with a focus on changüÃ, Lapidus discusses the technical aspects of the genre as practiced within the region and beyond. He considers the socio-historical importance of its lyrics, presenting numerous musical transcriptions that explain how the music is structured, as well as providing background stories to songs. In a chapter unique to this book and a first in Cuban musicology and ethnography, Lapidus describes years of festivals and musical competitions to show how local musical identity takes shape, particularly when encountering national narratives of music history. The volume concludes with a comparison between changüà and son, as well as a bibliography, discography, and videography.
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Origins of Cuban Music and Dance Changüà 1st Edition – PDF/EPUB Version Downloadable
$49.99
Author(s): Benjamin Lapidus
Publisher: Scarecrow Press
ISBN: 9780810862043
Edition: 1st Edition
Origins of Cuban Music and Dance: Changüà is the first in-depth study of changüÃ, a style of music and dance in Guantánamo, Cuba. Changüà is analogous to blues in the United States and is a crucible of Cuban Creole culture. Benjamin Lapidus describes changüà and its relationship to the roots of son, Cuba’s national genre and the style of music that contributed to the development of salsa, in Eastern Cuba. He also highlights the connections between Afro-Haitian music and Cuban popular music through changüÃ, connections with the Caribbean that have been largely overlooked in the past.
After an initial historical discussion about the region of Guantánamo and the inter-connectedness of its various musical styles with a focus on changüÃ, Lapidus discusses the technical aspects of the genre as practiced within the region and beyond. He considers the socio-historical importance of its lyrics, presenting numerous musical transcriptions that explain how the music is structured, as well as providing background stories to songs. In a chapter unique to this book and a first in Cuban musicology and ethnography, Lapidus describes years of festivals and musical competitions to show how local musical identity takes shape, particularly when encountering national narratives of music history. The volume concludes with a comparison between changüà and son, as well as a bibliography, discography, and videography.

